'Echoing Colour, and More', EyeContact, John Hurrell, 2016

Le Lievre's deep and ominous Motherwellian shapes, wobbly tidal edges, peeking underlays, frenzied striations, glowing feathery rivulets, delayed dribbles and tremulously brittle pencil lines nod to Bambury's purple and pale green planes, wave to Calder's curling black cords that suspend her trussed up pupae-pod paint-skins…- and hail the glittering frosted glass surfaces of Amsel and their deep pellucid pools within.